BÜCHER VERSANDKOSTENFREI INNERHALB DEUTSCHLANDS
Interrupting the Machine
Theatre as a Site of Dis-Automation in the Age of AI
Tectum Verlag
ISBN 978-3-689-00523-8
Standardpreis
Bibliografische Daten
Fachbuch
Buch. Softcover
2025
Umfang: 102 S.
Format (B x L): 14,8 x 21 cm
Gewicht: 159
Verlag: Tectum Verlag
ISBN: 978-3-689-00523-8
Weiterführende bibliografische Daten
Das Werk ist Teil der Reihe: AGENT; 13
Produktbeschreibung
Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing “dis-automation dramaturgy.” Through a detailed phenomenological and intermedial study of Forced Entertainment’s Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions – moments of reflection and reoriented sensibility – in the algorithmic flow.
Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
Autorinnen und Autoren
Produktsicherheit
Hersteller
Nomos Verlagsgesellschaft mbH & Co. KG
Waldseestraße 3-5
76530 Baden-Baden, DE
nomos@nomos.de
www.nomos.de
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