BÜCHER VERSANDKOSTENFREI INNERHALB DEUTSCHLANDS
Music and Mirrored Hybridities
Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century)
Ergon
ISBN 978-3-9874004-4-5
Standardpreis
Bibliografische Daten
Fachbuch
Buch. Hardcover
2023
In englischer Sprache
Umfang: 242 S.
Format (B x L): 17 x 24 cm
Gewicht: 643
Verlag: Ergon
ISBN: 978-3-9874004-4-5
Weiterführende bibliografische Daten
Das Werk ist Teil der Reihe: Istanbuler Texte und Studien (ITS); 49
Produktbeschreibung
In early modern Europe, music-theatrical patterns of representing the foreign ‘Other’ helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as ‘Ottoman’ or ‘Turkish’ by contemporary listeners.
This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic ‘Turkish scene’ from Le Bourgeois gentilhomme (1670).
With contributions by
Özlem Berk Albachten Thomas Betzwieser Aysenaz Cengiz Marie Demeilliez Irène Feste Judith I. Haug Hubert Hazebroucq Gerrit Berenike Heiter Evren Kutlay Martin Laiblin Hanna Walsdorf
This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic ‘Turkish scene’ from Le Bourgeois gentilhomme (1670).
With contributions by
Özlem Berk Albachten Thomas Betzwieser Aysenaz Cengiz Marie Demeilliez Irène Feste Judith I. Haug Hubert Hazebroucq Gerrit Berenike Heiter Evren Kutlay Martin Laiblin Hanna Walsdorf
Autorinnen und Autoren
Produktsicherheit
Hersteller
Nomos Verlagsgesellschaft mbH & Co. KG
Waldseestraße 3-5
76530 Baden-Baden, Deutschland
nomos@nomos.de
www.nomos.de
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