BÜCHER VERSANDKOSTENFREI INNERHALB DEUTSCHLANDS
Pop-Feminist Narratives
The Female Subject under Neoliberalism in North America, Britain, and Germany
Oxford University Press
ISBN 978-0-19-882087-1
Standardpreis
Bibliografische Daten
Buch. Hardcover
2018
In englischer Sprache
Umfang: 272 S.
Format (B x L): 16,4 x 24,2 cm
Gewicht: 562
Verlag: Oxford University Press
ISBN: 978-0-19-882087-1
Weiterführende bibliografische Daten
Das Werk ist Teil der Reihe: Oxford Modern Languages and Literature Monographs
Produktbeschreibung
In Pop-Feminist Narratives, Emily Spiers explores the recent phenomenon of 'pop-feminism' and pop-feminist writing across North America, Britain, and Germany. Pop-feminism is characterised by its engagement with popular culture and consumerism; its preoccupation with sexuality and transgression in relation to female agency; and its thematisation of intergenerational feminist discord, portrayed either as a damaging discursive construct or as a verifiable
phenomenon requiring remediation. Central to this volume is the question of theorising the female subject in a postfeminist neoliberal climate and the role played by genre and narrative in the articulation of contemporary pop-feminist politics.
The heightened visibility of mainstream feminist discourse and feminist activism in recent years—especially in North America, Britain, and Germany—means that the time is ripe for a coherent comparative scholarly study of pop-feminism as a transnational phenomenon. This volume provides such an account of pop-feminism in a manner which takes into account the varied and complex narrative strategies employed in the telling of pop-feminist stories across multiple genres and platforms,
including pop-literary fiction, the popular 'guide' to feminism, film, music, and the digital.
phenomenon requiring remediation. Central to this volume is the question of theorising the female subject in a postfeminist neoliberal climate and the role played by genre and narrative in the articulation of contemporary pop-feminist politics.
The heightened visibility of mainstream feminist discourse and feminist activism in recent years—especially in North America, Britain, and Germany—means that the time is ripe for a coherent comparative scholarly study of pop-feminism as a transnational phenomenon. This volume provides such an account of pop-feminism in a manner which takes into account the varied and complex narrative strategies employed in the telling of pop-feminist stories across multiple genres and platforms,
including pop-literary fiction, the popular 'guide' to feminism, film, music, and the digital.
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Cornelsen Verlag GmbH
Mecklenburgische Straße 53
14197 Berlin, DE
service@cornelsen.de
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